Modern Farce, a Symphony of Screens: Modern Family Plays on the "New Normal"

Is your screen time out of control? It's tough to judge how our own digital media use is affecting us, but it's easy to judge characters on sitcoms--that's what they're there for! As far as I know, last week's episode of ABC's Modern Family (Season 6, Episode 16, "Connection Lost") was the first major network sitcom broadcast to set its comedy completely within the ubiquitous screens its characters use to communicate with each other.

Last week's Modern Family episode unfolds entirely on Claire's laptop screen, shot on Apple devices, portrayed in "real time"--ripe for media literacy inquiry.

This fantastic farce of misapprehension, misplaced assumptions, and dubious online ethics offers an opportunity for us to reflect on how digital environments have become a new norm as a setting for our daily dramas.

The gags call our attention to the limitations of the media we use to communicate and problem-solve, and to how they may complicate our attempts to understand and represent ourselves and each other. There's a central theme around parental surveillance, or as Haley says to her mom, "It's called privacy--Google it!" The production choices--sliding between frames, opening and closing windows, using natural sound from other media--all heighten the hilarity (IMHO), and it's in real time; so, I think we can look at this as innovative from an artistic perspective. It can also be seen as a relentless informercial for Apple products, which were used to shoot entire the episode and provide the context for show's dramatic action--the ultimate target for some analysis of native advertising techniques (but wait, Apple says they did not pay a penny!...). This is a mess for media literacy inquiry if there ever was one!

I think this whole episode is worth a group viewing, and can be used to connect with a wide range of media literacy issues for high school, college and adult learners in English or media studies classes. It's a great way to start an exploration of new literacies, multimodality, new media literacies, or critical media literacy in teacher education classes. Youth media groups and media arts classes can also benefit from studying the production techniques used in this episode to represent online experience in a televisual medium (in this regard, it's also great for comparison to this Portlandia clip discussed in a prior post). My (bad) instinct is to try to do it all, to milk a text with such rich possibilities for all its worth, and to offer multiple paths for diverse interests that we jigsaw together. So, after the jump, I'll set up a series of interest groups with particular things to look for and discuss in this episode, and you pick and choose to focus on what will work for you and yours. Deal? Deal.

Ads You Can't Skip: Sitcom Weaves Plot Around Seamless Product Integration

Even if you zip through the commercials with your DVR or block ads on your web browser, Fox’s hit sitcom New Girl shows us that there’s a good chance your favorite characters themselves are trying to sell you stuff within the programs and content you love.

Maybe you’ve accepted or gotten used to product placement as necessary to help fund your entertainment—maybe even retro-product placement won’t seem so weird in a few years (see our discussion of the Colbert Report’s treatment on this previous post). But product integration is a level beyond, where characters and shows actually deliver the product pitch as a “seamless” part of the plot. The opening clip from the New Girl episode that immediately followed the Superbowl kept the focus on the ads with Ford Focus focused jokes. Focus Jokus, Hokus Pokus…roll clip! [after the jump]